Fashion design | Understanding and definition of Fashion Design | Fashion Design Education | Fashion education

Fashion design is the art of the application of design and aesthetics or natural beauty to clothing and accessories. Fashion design is influenced by cultural and social latitudes, and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories. Some work alone or as part of a team. They attempt to satisfy consumer desire for aesthetically designed clothing; and, because of the time required to bring a garment onto the market, must at times anticipate changing consumer tastes.

Fashion designers attempt to design clothes which are functional as well as aesthetically pleasing. They must consider who is likely to wear a garment and the situations in which it will be worn. They have a wide range and combinations of materials to work with and a wide range of colors, patterns and styles to choose from. Though most clothing worn for everyday wear fall within a narrow range of conventional styles, unusual garments are usually sought for special occasions, such as evening wear or party dresses.

Some clothes are made specifically for an individual, as in the case of haute couture. Today, most clothing is designed for the mass market, especially casual and every-day wear.

Fashion designers can work in a number of ways. Fashion designers may work full-time for one fashion company, known as 'in-house designers' which owns the designs. They may work alone or as part of a team. Freelance designers work for themselves, selling their designs to fashion houses, directly to shops, or to clothing manufacturers. The garments bear the buyer's label. Some fashion designers set up their own labels, under which their designs are marketed. Some fashion designers are self-employed and design for individual clients. Other high-fashion designers cater to specialty stores or high-fashion department stores. These designers create original garments, as well as those that follow established fashion trends. Most fashion designers, however, work for apparel manufacturers, creating designs of men’s, women’s, and children’s fashions for the mass market. Large designer brands which have a 'name' as their brand such as Abrecrombie, Justice, or Juicy are likely to be designed by a team of individual designers under the direction of a designer director.

Fashion designers work in different ways. Some sketch their ideas on paper, while others drape fabric on a dress form. When a designer is completely satisfied with the fit of the toile (or muslin), he or she will consult a professional pattern maker who then makes the finished, working version of the pattern out of card. The pattern maker's job is very precise and painstaking. The fit of the finished garment depends on their accuracy. Finally, a sample garment is made up and tested on a model to make sure it is an operational outfit.

Fashion designers work in different ways. But they all start similarly with a sketch which is a rough or illustrated drawing of the design. Once the designer has its vision on paper, 2 ways might be chosen to start the production of the sample. Myriam Chalek, owner and founder of Creative Business House, exposes in Vogue magazine the 2 paths:The designer can either make a pattern out of a dot or hard paper and then have the sample sewed or he can make the pattern out of muslin, make all the necessary adjustments and once satisfied with the fit and flow of the sewing, a paper pattern will be made and used to make the final sample with the designated fabric. Myriam Chalek recommends the second option since it allows the fashion designer to bring modifications to its design while the first option may entail wasting fabric if any change is brought. The most crucial step in designing a garment is the pattern.Indeed, it required a lot of details, time and calculations. A mistake of half an inch can jeopardize the cutting and therefore the sewing of the garment. Hence the pattern maker's job is very precise and painstaking. The fit of the finished garment depends on the pattern's accuracy.

Fashion design is generally considered to have started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created.it was started in paris (france). Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous seamstresses, and high fashion descended from that worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him. While all articles of clothing from any time period are studied by academics as costume design, only clothing created after 1858 could be considered as fashion design.

It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images were shown to clients, which was much cheaper than producing an actual sample garment in the workroom. If the client liked their design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.

Until the 1950s, fashion clothing was predominately designed and manufactured on a made-to-measure or haute couture basis (French for high-fashion), with each garment being created for a specific client. A couture garment is made to order for an individual customer, and is usually made from high-quality, expensive fabric, sewn with extreme attention to detail and finish, often using time-consuming, hand-executed techniques. Look and fit take priority over the cost of materials and the time it takes to make.

Ready-to-wear clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as Fashion Week. This takes place on a city-wide basis and occurs twice a year.

Currently the fashion industry relies more on mass market sales. The mass market caters for a wide range of customers, producing ready-to-wear clothes in large quantities and standard sizes. Inexpensive materials, creatively used, produce affordable fashion. Mass market designers generally adapt the trends set by the famous names in fashion. They often wait around a season to make sure a style is going to catch on before producing their own versions of the original look. In order to save money and time, they use cheaper fabrics and simpler production techniques which can easily be done by machine. The end product can therefore be sold much more cheaply.

There is a type of design called "kutch" design originated from the German word "kitschig" meaning "ugly" or "not aesthetically pleasing." Kitsch can also refer to "wearing or displaying something that is therefore no longer in fashion." Often, high-waisted trousers, associated with the 1980s, are considered a "kitsch" fashion statement.

There are a number of well known art schools and design schools world wide that offer degrees in fashion design and fashion design technology. Some colleges also offer Masters of Fashion courses. Though it is not a requirement to have a Masters level, it is recommended by those already working in the industry to study at this level. The most notable of design schools in Europe include London College of Fashion, Central Saint Martins College of Art and Design, University of Westminster and Kingston University in London, Edinburgh College of Art in Scotland, and the University of East London (UEL) also in London. Limerick School of Art and Design, Griffith College and the National College of Art and Design offer reputable BA of Fashion Design courses in Ireland. Istituto Marangoni, Domus Academy, Politecnico of Milan, NABA - Nuova Accademia di Belle Arti Milano, Istituto Europeo di Design, University Iuav of Venice in Italy, the Fashion Federation PARIS] European Fashion Accreditation www.Fashion-Board.com, Antwerp Fashion Academy in Belgium. There is Parsons The New School for Design, Creative Business House, Fashion Institute of Technology and the Pratt Institute in New York City. Elsewhere in the United States there is the Savannah College of Art and Design, Virginia Commonwealth University, Fashion Institute of Design & Merchandising in Los Angeles, School of the Art Institute of Chicago and Columbia College Chicago in Chicago. The National Institute of Fashion Technology in India, Shih Chien University in Hong Kong, RMIT University in Melbourne, Fu Jen Catholic University in Taiwan and the Asian University chain, Raffles College of Design and Commerce, all have reputable fashion design courses.

The only Ivy League University having a Fashion Design undergraduate program is Cornell University in Ithaca, NY. The program is offered by the department of Fiber Science & Apparel Design]. Cornell University also offers the only Ph.D. program in apparel design in the United States. The program is intended to address the needs of academia, industry and research by considering apparel design as an applied science that embraces design, technology, physical sciences, the humanities and social sciences in order to meet the human needs for clothing. There are many universities that offer fashion design throughout the United States. The major incorporating fashion design may have alternative names like Apparel and Textiles or Apparel and Textile Design and may be housed in departments such as Art and Art History or Family and Consumer Studies.

Fashion today is a global industry, and most major countries have a fashion industry. Some countries are major manufacturing centers, notably China, South Korea, Spain, Germany, Brazil, and India. Five countries have established an international reputation in fashion: France, Italy, the United Kingdom, the United States, and Japan.

The majority of American fashion houses are based in New York, although there are also a significant number in Los Angeles, where a substantial percentage of high fashion clothing manufactured in the US is actually made. There are also burgeoning industries in Miami, Chicago and especially San Francisco. American fashion design is dominated by a clean-cut, urban, casual style; reflecting the athletic, health-conscious lifestyles of American city-dwellers. A designer who helped to set the trend in the United States for sport-influenced day wear throughout the 1940s and 50's was Claire McCardell. Many of her designs have been revived in recent decades.

London has long been the capital of the UK fashion industry and has a wide range of foreign designs which have integrated with modern British styles. Typical British design is smart but innovative yet recently has become more and more unconventional, fusing traditional styles with modern techniques. Vintage styles play an important role in the British fashion and styling industry. Stylists regularly 'mix and match' the old with the new, which gives British style that unique, bohemian aesthetic that many of the other fashion capitals try to imitate. Irish fashion (both design and styling) is also heavily influenced by fashion trends from Britain.

Most Pinoy filipino fashion houses and designers are based abroad but definitely portraying the beauty and significance of Philippine culture and fashion sense.

Most French fashion houses are in Paris, which is the capital of French fashion. Traditionally, French fashion is chic and stylish, defined by its sophistication, cut, and smart accessories. Although the Global Language Monitor placed it 3rd in the Media, after Milan and New York, French fashion is internationally acclaimed and Paris remains the symbolic home of fashion.

Milan is Italy's capital of fashion. Most of the older Italian couturiers are in Rome. However, Milan and Florence are the Italian fashion capitals, and it is the exhibition venue for their collections. Italian fashion features casual elegance and luxurious fabrics.

Most of the Swiss fashion houses are in Zürich. The Swiss look is casual elegant and luxurious.

Most Japanese fashion houses are in Tokyo. The Japanese look is loose and unstructured (often resulting from complicated cutting), colours tend to the sombre and subtle, and richly textured fabrics. Famous Japanese designers are Yohji Yamamoto, Kenzo, Issey Miyake (masterful drape and cut), and Comme des Garçons 's Rei Kawakubo, who developed a new way of cutting (comparable to Madeleine Vionnet's innovation in the 1930s).

1. A fashion designer conceives garment combinations of line, proportion, color, and texture. While sewing and pattern-making skills are beneficial, they are not a pre-requisite of successful fashion design. Most fashion designers are formally trained or apprenticed.
2. A pattern maker (or pattern cutter) drafts the shapes and sizes of a garment's pieces. This may be done manually with paper and measuring tools or by using an AutoCAD computer software program. Another method is to drape fabric directly onto a dress form. The resulting pattern pieces can be constructed to produce the intended design of the garment and required size. Formal training is usually required for working as a pattern marker.
3. A tailor makes custom designed garments made to the client's measure; especially suits (coat and trousers, jacket and skirt, et cetera). Tailors usually undergo an apprenticeship or other formal training.
4. A textile designer designs fabric weaves and prints for clothes and furnishings. Most textile designers are formally trained as apprentices and in school.
5. A stylist co-ordinates the clothes, jewelry, and accessories used in fashion photography and catwalk presentations. A stylist may also work with an individual client to design a coordinated wardrobe of garments. Many stylists are trained in fashion design, the history of fashion and historical costume, and have a high level of expertise in the current fashion market and future market trends. However, some simply have a strong aesthetic sense for pulling great looks together.
6. A fashion buyer selects and buys the mix of clothing available in retail shops, department stores and chain stores. Most fashion buyers are trained in business and/or fashion studies.
7. A seamstress sews ready to wear or mass produced clothing by hand or with a sewing machine, either in a garment shop or as a sewing machine operator in a factory. She (or he) may not have the skills to make (design and cut) the garments, or to fit them on a model.
8. A teacher of fashion design teaches the art and craft of fashion design in art or fashion school.
9. A custom clothier makes custom-made garments to order, for a given customer.
10. A dressmaker specializes in custom-made women's clothes: day, cocktail, and evening dresses, business clothes and suits, trousseaus, sports clothes, and lingerie.
11. An illustrator draws and paints clothing designs for commercial use.
12. A fashion forecaster predicts what colours, styles and shapes will be popular ("on-trend") before the garments are on sale in stores.
13. A model wears and displays clothes at fashion shows and in photographs.
14. A fit model aids the fashion designer by wearing and commenting on the fit of clothes during their design and pre-manufacture. Fit models need to be a particular size for this purpose.
15. A fashion journalist writes fashion articles describing the garments presented or fashion trends, for magazines or newspapers.
16. An alterations specialist (alterationist) adjusts the fit of completed garments, usually ready-to-wear, and sometimes re-styles them. NOTE: despite tailors altering garments to fit the client, not all alterationists are tailors.
17. An Image Consultant, wardrobe consultant or fashion advisor recommends styles and colors that are flattering to the client.

Interior architecture | Understanding and the definition Interior architecture

Interior Architecture is truly a marriage of three distinct design disciplines: interior design, architecture, and industrial design. Interior design focuses on the selection of interior materials, finishes, and furnishings; architecture on the design of building forms and systems; and industrial design on the design of manufactured products. Another definition is the specific features of a building's interior. It can also be the initial design and plan for use, the later redesign to accommodate a changed purpose, or a significantly revised design for adaptive reuse of the building shell. The latter is often part of sustainable architecture practices, conserving resources through 'recycling' a structure by adaptive redesign. Generally referred to as the spatial art of environmental design, form and practice, interior architecture is the process through which the interiors of buildings are designed, concerned with all aspects of the human uses of structural spaces.

Interior architecture can refer to:

• The art and science of designing and erecting building interiors and related physical features.
• The practice of an interior architect, where architecture means to offer or render professional services in connection with the design and construction of a building's interior that has as its principal purpose human occupancy or use.
• A general term to describe building interiors and related physical features.
• A style or method of design and construction of building interiors and related physical features.

Although the original spatial hierarchy of a building is always established by its first architect, subsequent iterations of the interior may not be, and for obvious reasons, older structures are often modified by designers of a different generation according to society’s changing needs as our cities evolve. This process often re-semanticizes the building as a consequence, and is predicated on the notion that buildings can never really be complete and unalterable.

An altered building may look the same on the exterior, but its interior may be completely different spatially. The interior architect must therefore be sensitive not only to the place of the building in its physical and socio-political context, but to the temporal requirements of changing owners and users. In this sense, if the building has “good bones” the original architectural idea is therefore the first iteration of an internal spatial hierarchy for that structure, after which others are bound to follow

Cities are now dense with such buildings, perhaps originally built as banks that are now restaurants, perhaps industrial mills that are now loft apartments, or even railway stations that have become art galleries. In each case the collective memory of the shape and character of the city is generally held to be more desirable than the possibility of a new building on the same site, although clearly economic forces apply. It is also possible to speculate that there might well be further new interiors for these structures in future years, but for each alteration the technical and technological expertise of the era will determine the extent to which the building is modified in its building life cycle.

Certain structure's interiors remain unaltered over time due to historic preservation, unchanged use, or financial limitations. Nevertheless, most buildings have only three possible long-range internal futures: First, designated significantly important to maintain visually unchanged, only accommodating unseen modern utilities, access, and structural stabilization, and restoration needs. Second, demolished to make way for a new building on the same site, or abandoned, becoming ruins. Finally, redesigned and altered to accommodate new uses.

There are many different degrees of alteration – a minor one to enable the building to conform to new legal codes is likely to prolong the first (or indeed later) iteration of interior space, but a major alteration, such as the retention of only the facade, is to all intents and purposes a new building. All possibilities within and between the two extremes are the domain of the interior architect.

If the practice of Architecture is concerned with the art and science of new building, then the practice of Interior Architecture is concerned with the alteration of existing buildings for new uses.

Median annual wages of wage-and-salary architects were $70,320 in May 2008. The middle 50 percent earned between $53,480 and $91,870. The lowest 10 percent earned less than $41,320, and the highest 10 percent earned more than $119,220. Those just starting their internships can expect to earn considerably less.

Earnings of partners in established architectural firms may fluctuate because of changing business conditions. Some architects may have difficulty establishing their own practices and may go through a period when their expenses are greater than their income, requiring substantial financial resources.

Many firms pay tuition and fees toward continuing education requirements for their employees.

Education in interior architecture should include the study of historic architectural and design styles, building codes and safety, preserving and restoring old buildings, drawing plans of original designs, and building physical and virtual (computer-based) models. The field of interior architecture has a lot in common with interior design and decorating; however, it typically focuses on architecture and construction. Students of both fields learn to design comfortable, safe, and useful indoor spaces, from downtown penthouses to high school classrooms. A student of interior architecture will learn about much more than artistic concerns, such as choosing which style of furnishings works well in an open, loft-like apartment. Study will also include information on technical issues, such as seismic retrofitting (making old buildings safe from earthquakes).

Interior Architecture stands at the intersection of architecture, design of the built environment, and conservation. Interior architecture programs address the design issues intrinsic to the re-use and transformation of existing structures through both an innovative and progressive approach.

The National Center for Education Statistics states that the definition of a degree program in interior architecture is: "A program that prepares individuals to apply architectural principles in the design of structural interiors for living, recreational, and business purposes and to function as professional interior architects. Study includes instruction in architecture, occupational and safety standards, structural systems design, heating and cooling systems design, interior design, specific end-use applications, and professional responsibilities and standards."

In addition to earning a degree in interior architecture, general licensure is required to work within the United States and some states have further licensing requirements. In many European countries the use of the title "Interior Architect" is legally regulated. This means that a practicing professional cannot use the title of "Interior Architect" unless they complete the requirements for becoming a registered or licensed architect as well as completing a degree program.

Interior design | Understanding and the definition Interior Design

Interior design is a multi–facted profession in which creative and technical solutions are applied within a structure to achieve a built interior environment and home lifestyle enhancement.

The interior design process follows a systematic and coordinated methodology, including research, analysis, and integration of knowledge into the creative process, whereby the needs and resources of the client are satisfied to produce an interior space that fulfills the project goals.

There are a wide range of working conditions and employment opportunities within interior design. Large and tiny corporations often hire interior designers as employees on regular working hours. Designers for smaller firms usually work on a contract or per-job basis. Self-employed designers, which make up 26% of interior designers, usually work the most hours. Interior designers often work under stress to meet deadlines, stay on budget, and meet clients' needs. In some cases, licensed professionals review the work and sign it before submitting the design for approval by clients or construction permisioning. The need for licensed review and signature varies by locality, relevant legislation, and scope of work. Their work can involve significant travel to visit different locations, however with technology development, the process of contacting clients and communicating design alternatives has become easier and requires less travel. They also renovate a space to satisfy the specific taste for a client.

A style, or theme, is a consistent idea used throughout a room to create a feeling of completeness. Styles are not to be confused with design concepts, or the higher-level party, which involve a deeper understanding of the architectural context, the socio-cultural and the programmatic requirements of the client. These themes often follow period styles. Examples of this are Louis XV, Louis XVI, Victorian, Islamic, Feng Shui, International, Mid-Century Modern, Minimalist, English Georgian, Gothic, Indian Mughal, Art Deco, and many more.

The evolution of interior decoration themes has now grown to include themes not necessarily consistent with a specific period style allowing the mixing of pieces from different periods. Each element should contribute to form, function, or both and maintain a consistent standard of quality and combine to create the desired design. A designer develops a home architecture and interior design for a customer that has a style and theme that the prospective owner likes and mentally connects to. For the last 10 years, decorators, designers, and architects have been re-discovering the unique furniture that was developed post-war of the 1950s and the 1960s from new material that were developed for military applications. Some of the trendsetters include Charles and Ray Eames, Knoll and Herman Miller. Themes in home design are usually not overused, but serves as a guideline for designing.

Interior design has become the subject of television shows. In the United Kingdom (UK), popular interior design and decorating programs include 60 Minute Makeover (ITV), Changing Rooms (BBC) and Selling Houses (Channel 4). Famous interior designers whose work is featured in these programs include Linda Barker and Laurence Llewelyn-Vowles. In the United States, the TLC Network aired a popular program called Trading Spaces, a show based on the UK program Changing Rooms. In Canada, popular shows include Divine Design with Candice Olsen and Design Inc., featuring Sarah Richardson. In addition, both Home & Garden Television (HGTV) and the Discovery Home networks also televise many programs about interior design and decorating, featuring the works of a variety of interior designers, decorators and home improvement experts in a myriad of projects. Fictional interior decorators include the Sugarbaker sisters on Designing Women and Grace Adler on Will & Grace. There is also another show called Home MADE. There are two teams and two houses and whoever has the designed and made the worst room, according to the judges, is eliminated. Another show on the Style Network, hosted by Niecy Nash, is Clean House where they re-do messy homes into themed rooms that the clients would like. Other shows include Design on a Dime, Designed to Sell and The Decorating Adventures of Ambrose Price. The show called Design Star has become more popular through the 5 seasons that have already aired. The winners of this show end up getting their own TV shows, of which are Color Splash hosted by David Bromstad, Myles of Style hosted by Kim Myles, Paint-Over! hosted by Jennifer Bertrand, The Antonio Treatment hosted by Antonio Ballatore, and finally Secrets from a Stylist hosted by Emily Henderson.

Some use the terms Interior Designer and Interior Decorators interchangeably although historically, the term interior designer referred to individuals and work that that is currently described as interior decoration.6 However, in general Designers tend to produce more drawn information and plans, whereas Decorators are more associated with finishes and furnishings although it should be noted that to properly plan furnishings for a space it is necessary to prepare "to scale" drawings of the space and the intended furnishings.